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是谁来敲门
HD中字
剧情片
When Fuchs starts his new job as a teacher in a priso扫黑风暴免费观看n school, replacing the ol上海传奇粤语d and unconventional teacher Berger against her will, he is forced to confront his biggest 铠甲勇士刑天修罗铠甲1fear, triggered by the mysterious, withdrawn inmate Samira.
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核磁共振
HD
剧情片
圣诞前夕，结束国外工作的马蒂亚斯，返回到他土生土长的罗马尼亚特兰西瓦尼亚多民族山村。马蒂亚斯一边担心着儿子鲁迪从罗马尼亚母亲安娜那里受到的教育，一边渴望着再次见到他的匈牙利前情人非常勿扰奇拉。 他发现他的儿子和整座村庄都笼罩在一种奇怪的非理性恐惧和不安的阴影之下。当奇拉管理的面 包店雇佣了两名外国工人时，根深蒂固的冲动和怨恨涌现，冲突横生和情绪爆发，社区和平的表象被打破。
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欧洲的某个地方
HD中字
剧情片
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is 两个人完整视频在线观看a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to de哈利波特与魔法石高清下载monstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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自由落体
HD中字
喜剧片
自殺不成的老婦人，屢次從頂樓一躍而下卻無法如願以償，只好再次跛腳步上公寓頂樓。每經過一層樓，便經過一段光怪陸離。七層樓，七種人生樣貌，詭異夺魄勾魂至極、毫無邏輯，以黑色幽默之姿一窺當代生活，笑看人性的虛偽及庸俗，笑到最後卻忍不住心底發毛。 匈牙利導演喬治帕爾菲二○○二年初試啼聲，便以處女作《田園風光》一炮而紅。其後的《百年癲狂》更顯少林寺2瘋狂不羈，在坎城引發熱議。擅於揉合奇想與創意，以魔幻寫實著稱的喬治帕爾菲，新作《公寓瘋光》影像同樣奇幻詭譎，戲劇調度與剪輯美學更貼近夢境囈語。從喜劇、科幻到神話，從歡笑、驚悚到恐懼，在風格迥異的七部短片裡，導演也展現其對不同類型的遊刃有餘。
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衰人奇遇
HD中字
喜剧片
匈牙利新進導演以平實手法，不以花巧鏡頭，靠星际迷航3超越星辰下载著跳脫的敘事節奏及精準的人物呈現看似即興的安排，幽默有趣地用鏡頭捕捉現實社會下的「偽文青」心底事。這部魅力過人的清新首作，在各大歐洲電影節大放異彩，成為不少影評人的特別推介。 2014 意大利都靈電影節-評審團特別獎騒麦mp3 2014 法國南特國際電影節
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德古拉
完结
欧美剧
故事发生在遥远的1890年，邪恶的吸血鬼德古拉化身成为成功美国企业家艾伦（乔纳森·莱斯·梅耶斯 Jonathan Rhys Meyers 饰）来到伦敦，他此行有两个目的，一是研究当时十分发达的电力科学，而是找到曾经的仇人，向其施以无情的报复。&l抽插视频t;br/> 一次偶然中，艾伦遇见了名为米娜（杰西卡·德·高芙 Jessica De Go4399韩国电影在线看uw 饰）的年轻女子，让艾伦感到震惊的是，米娜的长相同他已经死去的妻子简直一模一样，而米娜也坚信，自己绝不是第一次见到眼前这个名叫艾伦的陌生男子。就在艾伦一步一步实现自己野心的同时，他的宿敌——吸血鬼猎人范海辛（托马斯·克莱舒曼 Thomas Kretschmann 饰）也展开了他的行动，这一次，他们能否分出胜负呢？
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太空人的藏宝图 第一季
已完结
欧美综艺
寻宝者达雷尔·米克洛斯（Darrell Miklos）打算寻找宇航员戈登·起亚k5敞篷版库珀（Gordon Cooper）在1963年从太空中发现的沉船。 戈登·库珀是20世纪60年代美国宇航局的宇航员，在执行任务时，他在加勒比海沿岸拍摄了一只饥饿的“变形虫”。库珀认为，它们一定是沉没的船只，包括克里斯托弗·哥伦布失踪的舰队，而这些照片将成为一张地图，用来发现现在躺在海底的丢失的宝藏。虽然库珀去世了，但他把他长期保守的秘密和藏宝图留给了一位密友。本系列讲述的是一群寻宝者潜入库珀50年前从太空拍摄到的地点，希望发掘海洋的秘密。
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身后事2020
HD
恐怖片
1918年严冬，第一次世界大战和西班牙流感使得无数鬼魂漂泊于世间。从事遗体摄影的年轻人托马斯来到匈牙利的一座小村庄，目睹了一系列奇怪的超自然现象。他决定留下来调查鬼魂的意图，试着寻找摆网游之纵横天下全集下载脱它们的方法。十岁的孤儿安娜伴随他一起探险，在鬼魂愤怒的狂欢下度过重重险境。本片入围第36届华沙国际电影节国际竞赛单元。
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是谁来敲门
HD
恐怖片
When Fuchs starts his new job as a teacher in a pris数码暴龙6on school, replacing the old and unconventional teacher Berger against her will, he is forced to confront his biggest fear, triggered by the myvip章节sterious, withdrawn inmate Samira.
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